Back on the horse…

There are hundreds of New Year’s resolutions that a writer could make, but they probably all contain the word ‘Back.’

Maybe something dented your confidence, and, like a rider after a fall, you tell yourself to get back on the horse…

Maybe you’ve been a bit unwell and have to accept being back on the medication.

Or (is this the hardest one?) you have to archive a whole lot of hard work that isn’t going to work, and start a new project: back to the drawing board.

[It is highly unlikely you have spent so much time on your books, so much time ignoring your other responsibilities, that your resolution about writing is to Back Off].

Fellow writers, welcome back. I wish you all luck in 2014, and I hope you get the backing of all the readers you are hoping to reach.

Masters of the Universe?

Previous visitors to the blog will recall that I completed my last MA module in January…  and, officially, finally graduated last month.  But I decided not to do the gown-hiring, hand-shaking thing this time around:  been there, done that, see the old photo every time I visit my Mum’s flat.

Great to catch up with a few of my fellow former MA students for coffee, though.  Check out this link to see some their recent work now on show to the public:  http://rowntreeparkblog.wordpress.com/

I’ve written before that you should choose the right time to start a creative writing course, that you have to consider when is best for you to begin to share and receive feedback on your work.  But when the time is right, it can be great to be part of a little community that shares your interest, shares your passion…  It feels good to restore some writing enthusiasm, to feel that you’re doing something of value.  I came home from the café feeling better about myself.  Not quite Masters of the Universe, maybe, but certainly Master of a Paragraph or two.

 

 

Top tips for self publishers (and all those with a book deal, too…)

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Hi again to all those writers with a book that is coming into print – or indeed coming into cyberspace…  Check out a couple of the the top tips that were on display around the room at my recent book lauch:

Top Tips for Self – Publishers  (1)

Get into graphic design

Don’t accept any old cover design      Find yourself an artist or photographer friend

Work on your own designs

Use them consistently online and in marketing materials

Create a ‘brand image’

Top tips for self-publishers  (2)

Support your fellow local writers

Their feedback can be valuable      They understand your struggles

You could carry out joint events

They might even buy your book!

A few more to follow soon…

Happy writing…

The joy of proofreading, part two

Yes, I wasn’t kidding when I said it would take a lot longer than expected…  Four proofs down the line, and there are probably still a few errors in there:  evidence suggests they will be mainly capital letters which should be lower case…  To my shame, it took that many proofs to spot the error of writing ‘principle’ when it should have been ‘principal.’   But on the  positive side, I am now getting to spot errors in other authors’ work.  I’m guessing it is a rare book that makes your shelves without the odd little mistake, since I have spotted some in all of the fiction and history books I have been reading since I started copy editing and proofreading my own.  So I won’t feel bad if a few errors slip through the proverbial net…

And so if you are self publishing, I would make sure that you don’t set in concrete your book launch date until you have the final product in your hands.  I have an awful lot of lovely postcards saying that ‘Death Benefit’ is available from July.  We may yet make it for the end of the month, but it will be a close run thing…

Adrian Fayter MA… continued

Previous posts indicated that I followed a flexible, modular course, which meant that I could actually complete faster than the usual part time pattern, yet not be a full time student either.  But this arrangement finds me getting my results in July, for a course I finished in January, with official graduation next November…

So I can now officially say I have a Masters degree, with Merit.

Now, interestingly, I mainly used my two novels for the creative work on this course, and the module that brought me lower grades was the one where I experimented with poetry.  I’m still pleased I did that, and I think it broadened my skills as a writer.  But I recently met a fellow writer whose MA in Sheffield required the completion of a whole novel in order to pass the course.  Which got me thinking that, for most students, it wouldn’t leave much room for experimentation in other forms.

So, the moral is, that if you are a prospective Creative Writing student (and always assuming you are not limited by geography), then it really is worth doing your homework about the course content and the assignment requirements before you choose where to study.  And also  to consider your own aims:  do you want to experiment and gain broad skills or do you want to focus on one specific lengthy piece of work?

I was lucky enough in a way to do both.  (Still gutted I didn’t get a Distinction, though)…

 

The joy of proof-reading

How hard can it be to run through a manuscript and check for spelling and grammar errors?  Well, harder than you think; or at least much more time consuming than you think…

A few tips:

1) Save your MS in a different font and a larger size, and look through it again.  Apostrophe and inverted comma mistakes especially show up better in a font like Times Roman compared to Ariel.

2) Invest in a style guide. Do you really know when to put a full stop outside of a closing bracket and when to put it inside?  What is the difference between writing ‘the 1960s’ and ‘the Sixties?’  Look for the answers in something like the Oxford Guide to Style (Oxford University Press).  If you don’t want to buy it, look in your local library or your nearest university library.

3) Make good use of spell checks, but of course bear in mind that the spell checker will not identify an error such as writing ‘there’ when you meant to put ‘their.’

4) If you can afford it, seriously consider employing a professional.  Nothing looks more amateurish than a book full of errors, whether they come from your own manuscript, or from glitches in the typesetting process.  If you can’t afford a professional, get as many very literate friends as possible to help your out.  You and they will discover more errors than you expected!

Start reading ‘Death Benefit’ here. On sale from July 2013.

PROLOGUE

   The worst thing about doing a stakeout is the pressure it puts on your bladder.    Except, of course, when something unusual happens; like stumbling across a warm corpse, for instance, or finding evidence of torture. Then things get much, much worse…
Normally, I bring a milk bottle with me, especially at this time of year, when the cold can eat through a tartan travel rug, jumbo corduroys and a pair of woolly long johns within ten minutes of killing the engine. But, by some miracle of staffing, that day I had a trainee out with me, so I was going to have to moderate my behaviour. Especially as I had already given her the rug.
‘Can’t we have the heating on?’ she asked, through a small cloud of condensed breath. ‘It’s bloody freezing.’
I gave her a look that said, ‘The age of chivalry is not dead, but it might as well be. You get the rug, half the cheese roll, most of the coffee and all of the benefit of my seven years investigating experience, and you haven’t even smiled once. How about applying some of your Customer Care training to your colleague, then, eh?’ Possibly this was too much for her to take in all at once, because she simply turned away and muttered ‘freezing’ again.
‘We can only claim petrol expenses for the journey to and from the job,’ I said patiently, staring out into the dark. ‘Oh, and for all those high speed car chases that happen, of course. I can’t afford to run my engine for two hours just so I can be here.’
‘If it was this cold in the office, we’d be allowed to go home.’
‘Well, nobody’s stopping you,’ I wanted to say, which I admit is not my usual reaction to a strawberry blonde with good cheekbones and an endearing tendency to overdo the lip gloss. But when I’m suffering I prefer to suffer in silence. Maybe I’d have felt different if she’d offered to go Dutch on the travel rug, or even if she’d been better prepared for the night’s work. (I know they’ve cut the induction course to a day and a half now, but, for God’s sake, they hadn’t even taught her to bring her own sandwiches!) Still, if she hadn’t been there, of course, the whole affair would have turned out to be very different. Very different indeed…
‘If you’re lucky he’ll be out in a minute,’ I said.
‘D’you think so? How d’you know?’
‘The theory is he’s on the night shift at Grannie Baker’s.’ I rolled my eyes. ‘So he’d normally have to be there by eleven…’
‘Wait a minute,’ she said, checking her watch, ‘It’s only ten now.’
‘Well, if he gets suspicious, he may leave early to lose the tail.’
‘Come on! He won’t suspect he’s being tailed, will he?’
‘Oh, you’d be surprised about these boys. How clued-up they are.’ I didn’t really mean this, but it sounded good. And, to be fair, you do get the odd one or two who are professional enough to lose an investigator in the blink of an eyelid. One nervous tic and they’re gone…
I looked back out at the firmly closed front door across the street. It had bolts through it, as if someone had put on a steel plate or something to reinforce it at the back. Had they been there on my last visit? If so, I hadn’t noticed. And this wasn’t a particularly rough area: the houses were tiny terraces, but the majority were well kept. There were still some very elderly folk living along here; fortunately for us, since it was the only reason we had a parking space.
‘And if we’re unlucky, he won’t be out ‘til nearly eleven,’ she said, sounding a bit despondent at the prospect.
‘No. If we’re unlucky he’ll have swapped to the day shift and we’ll be sitting here all night.’
‘Bloody hell.’
‘Either that or he’s not working after all. And we’ll be here all night.’
She shivered. ‘How do you cope?’
‘I’d try wearing trousers for a start.’ I sighed. ‘Lots of thin layers, like mountaineers do. Thermal underwear, or failing that, a pair of tights under your trousers…’
It was her turn to give me a look.
‘Keep a fleece and a scarf in the car, even in summer…’ I shook my head, patronisingly, I suppose. ‘Welcome to the glamorous world of the Benefit Fraud Department,’ I said.
It was then, or perhaps a moment or two later, when we heard the explosions.
There were screams, too – there must have been – although no-one else gave any sign of hearing them. Or was that just me, later, in my sleep?

Be your own publisher…

… But don’t give up the day job… And think strategically…

Self publishing options are many and varied these days, and a lucky few seem to have made a huge success of it, with blogs going viral, e-books priced to sell in volume, and certain successes crossing over into mainstream best-sellerdom: last time I was in WH Smith, there was a whole wall (yes wall!) for Fifty Shades and numerous copycat offerings.

Publishing your own work is a nice way to feel you are making some progress, instead of being stuck in the months-long queue for yet another agent’s rejection letter. But doing the maths on a short run, high quality paperback product, I’ve worked out that I can only break even on production costs, and will therefore lose money on marketing, and, obviously, earn nothing for the labour of actually writing.

Depressing? Possibly. But then the only way to make money from fiction has always been to sell in large numbers. I’m looking at this as a long term strategy: a series of books, which achieve popularity over time. Readers who buy the whole set. Readers who recommend it to their friends. Check out my sample chapters, or better still, promise yourself that you will buy the books. I hope you’ll enjoy them. And recommend them. And who knows, if my strategy works, your signed copy of the very first edition might end up worth a fortune itself. Which is something no 99p download can ever be.

Theory versus practice…

Back to the retrospective MA diary, and the question of literary theory.  What use does a wannabe novelist have for the strange philosophies of Structuralism, Postmodernism or Reception Theory, to name but three?  Apart from making rubbish jokes about the so-called ‘Death of the Author,’ of course…

I have to say that I quite enjoyed dipping back into theory as part of my MA, partly because it’s sometimes nice to do something intellectually challenging for a change.  And it sometimes helps to give a different perspective on the practicalities of writing.  Take Wolfgang Iser’s idea that the reader is constantly revising what he thinks of a text because each new section causes him to re-evaluate what he read before, and also to have new expectations of what is still to come. Sounds odd? But think about a reader of a whodunnit, who is working his way through a series of clues and misdirections… And then you start to see what Iser means. So a bit of theory can be quite a good thing, so long as it doesn’t keep you from the hard graft of putting your own words on the page…

But those who can’t do… teach, don’t they?

If you check out some of the online debates about creative writing courses, you’ll find people wondering about the teaching staff…  Why would you want to be taught by someone who has published maybe two or three books, and obviously isn’t making a living from them?

But of course, you could also ask whether anyone lucky enough to make a full time salary from writing would bother to teach as well…  And, much more importantly, teaching has it’s own set of skills: I’ve been to so many workshops where successful writers stand up and give ill-prepared, boring or hopeless talks…  Even the late, and very great TV writer Alan Plater was tedious the time I went to see him speak.  (As I only saw  him  once, it may be unfair to judge him too harshly, but the point is that successful writers are not necessarily good speakers or teachers).

Now, some of the teachers on my MA course were also Doctors of English Literature, and it sometimes showed.  But when looking for a university course, I suggest you don’t get too hung up on the so-called writing ‘success’ of the teachers.  By all means take a look at the quality of their work, but more importantly, see what you can find about the quality of their teaching